The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.
Andrew Crocker-Harris has been forced from his position as the classics master at an English public school due to poor health. As he winds up his final term, he discovers not only that his wife, Millie, has been unfaithful to him with one of his fellow schoolmasters, but that the school's students and faculty have long disdained him. However, an unexpected act of kindness causes Crocker-Harris to re-evaluate his life's work.
Andrew Crocker-Harris is an embittered and disliked teacher of Greek and Latin at a British prep school. After nearly 20 years of service, he is being forced to retire on the pretext of his health, and perhaps may not even be given a pension. The boys regard him as a Hitler, with some justification. His wife Laura is unfaithful, and lives to wound him any way she can. Andrew must come to terms with his failed life and regain at least his own self-respect.
People claim to know an amnesiac (Eileen Atkins) who finds herself in a hotel with a suitcase full of cash.
A young filmmaker, a seemingly unemployed woman, a indoor swimming pool, and a film about itself.
MARCIAL’S VERSION juxtaposes reality with illusion, in a manner reminiscent of the ‘Film Noir’ style of the 40’s. Filmed in the underbelly of Buenos Aires, the film plunges the viewer in the murky investigation of a crime where love, money and betrayal are all intricately woven together. With seductive strains of Tango in the background, the viewer is jarred by the counterpoint between Marcial's discourse - his version of the events as told to the police - versus the truth on the screen.
A woman spends her days editing the film of an absent lover.
A dog, a Tesla machine, two physics students, and an unexpected turn into other dimension.
notdef., that could mean not deaf or, who knows, not defined. The monotonous thump of a percussively contoured, slightly delayed techno bass line underlies the images which, abstract and mutating constantly defy quick definition. In notdef./version one, virtual objects vigorously grow across a plane and into space from the center of the image for slightly longer than three minutes; nervously assembling and then falling away from one other, they overlap in glaringly bright colors before sinking back into the black matrix.
A story of an innocent young lass desperate to leave her homeland to escape her adoptive father's lustful desires.
Edogawa Rampo is a writer whose latest work is censored by the government, deemed too disturbing and injurious to the public to be allowed to be published. However, after burning his drafts, his publisher shows him a newspaper with an account of events just like his forbidden story. As the film progresses, fantasy and reality intermingle in a tale that draws heavily on influences from Poe and Stoker's Dracula. The film's strongly Expressionistic direction skillfully combines a variety of media (animation, computer-generated imagery, grainy black-and-white fast film stock, color negatives) for artistic effect.
A crazed doctor, who has already murdered a man, finds Dr. Jekyll's diary and mixes up Jekyll's formula. He mixes up a batch of the potion, turns into the Jekyll monster and begins to stalk, rape and murder women.
"Capitalism is always more profit for the sake of profit, it is not a relevant idea" Nicolas REY "MONEY, VERSION 2" is an inhuman, violent and idiot video-film exactly like "liberalism" (inhuman, violent and idiot). This time, this video-film (without computer) can not merely take on to be only "amusing", "diverting" or even "interesting". The film (MONEY, VERSION 2) is first "unbearable" or even "painful", like its subject: "money", genuine golden calf of a society controlled by perverse and dangerous morons: the "capitalists" or "globalising-liberal-totalitarian» 31/01/07
Adaptation of Terence Rattigan's play produced for the BBC in 1985.
How the Japanese process American pop culture and make it their own -- a mind-bending odyssey through cultural mixing.
Rework of computer dance video Cambiantes (1976).
Diggsy (Kristopher Wente) has been in love with Suzette (Sara Antonio) since he was 9 years old. After she marries someone else, he encounters a mysterious stranger (Eddie George) who offers him a key that can open doors into parallel universes. This uncanny opportunity gives him a chance to find a version of Suzette who will love him back. During his journey, he unexpectedly meets Gwyneth (C.J. Perry), a wild card who may throw his universe-jumping adventure for a loop. For Diggsy, this is a tale full of surprises, awkward encounters, and the possibility of finding the perfect version of that someone who will love you back.
Alice White is the daughter of a shopkeeper in 1920's London. Her boyfriend, Frank Webber is a Scotland Yard detective who seems more interested in police work than in her. Frank takes Alice out one night, but she has secretly arranged to meet other man. Later that night Alice agrees to go back to his flat to see his studio. The man has other ideas and as he tries to rape Alice, she defends herself and kills him with a bread knife. When the body is discovered, Frank is assigned to the case, he quickly determines that Alice is the killer, but so has someone else and blackmail is threatened.
It hisses, it blinks. A virtual, two-dimensional anaglyph flickers in red and green, unfolding a visual space true to the Brehmian aesthetic. Concentratedly condensed collisions occur between everyday life and the world, being and performing, symbols and icons. A human skull, human bodies, Castle Grafenegg as an architectonic stand-in for the uncanny ... Sex and crime, art and pop culture flicker at pixilated speed – the stuff of dreams – most penetrating however brief. The mundane alternates with the fetish, glimpsed in the blink of an eye, intersected by a long drag on a Chesterfield cigarette while the full-bodied, tube-amped slow-motion reverb sound of a guitar swings in the background.
2004: The Stupid Version is a satirical documentary written by Armando Iannucci, broadcast in two parts on BBC Three on New Year's Eve 2004. The one-off programme is a parody of review programmes typically broadcast at New Year. It features edited footage from news and television series, as well as satires on the politics and fads of a year in which "only Andrew Marr kept his dignity". The documentary was shown again on BBC Two on 29 January 2005, but has not been repeated since or released on DVD, although clips are available on the internet. Iannucci's 2006 series Time Trumpet follows a similar format to The Stupid Version, reviewing events satirically from a future perspective.
The cover version has always been a staple of the pop charts. Yet it's often been viewed as the poor relation of writing your own songs. This film challenges and overturns that misconception by celebrating an exciting, underrated musical form that has the power to make or break an artist's career. Whether as tribute, reinterpretation or as an act of subversion, the extraordinary alchemy involved in covering a record can create a new, defining version - in some cases, even more original than the original.
A group of the best survival experts in the world take on an un-survivable situation: 40 days. 40 nights. No food, water or clothes. To survive they'll need to master the environment, pushing far beyond the breaking point. Will even one be able to finish?
Water Margin (Kids Version)
Join host Wil Anderson, stalwarts Todd Sampson and Russel Howcroft and other advertising industry experts to unpick the ways we're all bought and sold.
Water Margin (Kids Version)
Well-known personalities survive in some of the planet’s most perilous and remote locations.
The story of Monty Python through brand new interviews with the Pythons: John Cleese, Terry Gilliam, Eric Idle, Terry Jones & Michael Palin and archive material from the late Graham Chapman.